Ceramic vessels & watercolour drawing
Drawing from classical forms, Liparoto’s ceramics become performative storytelling objects, vessels to contain potential for love without violence but also to acknowledge our own failings.
A group of confessional objects meet on a circular stage. Reminiscent of classical vases, they represent an extended family or community, engaging in relations, flowing into or leaning towards each other, reaching out and connecting through the fluid that leaks out of them. Their colours are hopeful and cute, but they also carry failure and pain. Some are inscribed with messages that reveal a tension between the optimism of love and the lies we tell ourselves to maintain it. You may whisper in their openings, to confess your own bad behaviors to them.
Six watercolours surround the central stage. They are a selection from a larger series of drawings that preceded and became the catalyst for the sculptures. With the vase as the main motif, each one commemorates a specific action or feeling that happened on a given day during lockdown. Vases are traditionally objects of power, remembrance and celebration. Rather than big events, here they pay tribute to emotional moments and reflections on family.
Thanks to Gary Leddington for crafting the wooden stage and frames. Philippe Verdonckt for his help with the installation. Nele Dekoninck for ceramics guidance. Suzanne Cleerdin for being extra eyes.